Painting a winter landscape with children 6 and 7 years

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The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many of its characteristics, most lacks the idealization and love of splendour typical of much Baroque work, including that of neighbouring Flanders. Frans Hals’ tronie, with the later title Gypsy Girl. The tronie includes elements of portraiture, genre painting, and sometimes history painting. A distinctive feature of the period is the proliferation of distinct genres of paintings, with the majority of artists producing the bulk of their work within one of these. An unusually monumental animal painting that challenges the hierarchy of genres. A distinctive feature of the period, compared to earlier European painting, was the small amount of religious painting.

Dutch Calvinism forbade religious painting in churches, and though biblical subjects were acceptable in private homes, relatively few were produced. The widely held theory of the “hierarchy of genres” in painting, whereby some types were regarded as more prestigious than others, led many painters to want to produce history painting. However this was the hardest to sell, as even Rembrandt found. Many were forced to produce portraits or genre scenes, which sold much more easily.

Army of Art” according to Samuel van Hoogstraten. The Dutch concentrated heavily on the “lower” categories, but by no means rejected the concept of the hierarchy. Dirck Hals, genre scene of Gentlemen Smoking and Playing Backgammon in an Interior. 3 million Dutch pictures were painted in the 20 years after 1640 alone.