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Whether you’re after long-lasting coverage or a subtle lightweight finish, choosing the best foundation for your skin type can be a tricky business. Hardworking foundations that give full coverage often clog the skin, leaving it prone to blemishes and irritation. But opting for a lighter finish might not offer the coverage that you’re after, especially if you want to cover redness or any uneven, dark spots on the skin. The key is to find the perfect foundation for your skin type.
Our fabulous foundation edit will tell you all you need to know about picking the right foundation that will complement your specific skin type. This clever, hardworking foundation from Max Factor gives a fabulous, flawless finish that does wonders for the complexion. As a lightweight liquid, this innovative three-in-one miracle foundation glides on effortlessly and naturally without leaving skin feeling clogged or too made up. Acting as a primer, concealer and foundation all in one, it allows the skin to breathe, which is great for those who suffer from problem skin or have sensitive complexions. With its pore-resurfacing technology, the fear of clogging your skin will no longer be an issue. This new foundation formula from Clinique is brilliantly lightweight and enriched with vitamins C and E which help to brighten dull skin.
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No7 has designed a device that reads the exact colour values of your skin and matches the results to its new range of shades and formulations. Our favourite is Stay Perfect Foundation. Soft-focus optics help to disguise imperfections, and the light formula doesn’t cake or sit in the creases of the skin. Give your skin an oil-free, natural-looking coverage with a flawless finish that lasts all day.
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10, these moisturisers will help your skin look younger and brighter. This article is about 1920s women. An advertisement for the 1920 silent film comedy The Flapper, with Olive Thomas, before the look of the flapper had started to come together. Flappers were a generation of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. The term possibly originated in slang, but there is no direct evidence of that. Violet Romer in a flapper dress c. The standard non-slang usage appeared in print as early as 1903 in England and 1904 in the United States, when novelist Desmond Coke used it in his college story of Oxford life, Sandford of Merton: “There’s a stunning flapper”.
By 1908, newspapers as serious as The Times used the term, although with careful explanation: “A ‘flapper’, we may explain, is a young lady who has not yet been promoted to long frocks and the wearing of her hair ‘up'”. By November 1910, the word was popular enough for A. James to begin a series of stories in the London Magazine featuring the misadventures of a pretty fifteen-year-old girl and titled “Her Majesty the Flapper”. By 1911, a newspaper review indicates the mischievous and flirtatious “flapper” was an established stage-type. By 1912, the London theatrical impresario John Tiller, defining the word in an interview he gave to the New York Times, described a “flapper” as belonging to a slightly older age group, a girl who has “just come out”. A Times article on the problem of finding jobs for women made unemployed by the return of the male workforce is headed “The Flapper’s Future”. Under this influence, the meaning of the term changed somewhat, to apply to “independent, pleasure-seeking, khaki-crazy young women”.